The Recording Industry Has Changed; They're Enjoying

Eliminating The Piano Means That I've Always Worked Closer With The Bass Than Most Players.

If You've Only Got One Horn Playing, I Still Want The Sense Of Ensemble.

When [billy] Strayhorn Came On The Scene, He Just Blew Us Away.

Because If You've Got The Wit, You Can Make Anything Into A Melody, Ultimately.

You Start Way Down On A Low B Flat On The Tuba And You Have A Chromatic Scale; You Can Match The Colours All The Way Up, Till You Get To The Top Of The Trumpet.