The Only Justification For Looking Down On

I Remember When I Wrote A Piece, "blood On The Fields," It Was A While Ago, It Was About Slavery And About Two Characters, And I Studied So Much Of Music, I Would Always Go Back To The Original Documents, And As Much As I Can Get Original Chants And Slave Chants And Different Type Of Beats And Rhythms And Ring Shout.

In The Jazz At Lincoln Center Orchestra We Play Such A Diversity Of Music, With 10 Arrangers In The Band, We Don't Really Worry About Whether It's Contemporary Or Not.

What Is Deeper Than Respect And Love? That’s What We Felt: Veneration.

Many Heroic Things Happened During Slavery. And Remember That There Was A National Movement Away From It Even At The Time. The Era Of Reconstruction And Then The Subsequent Dismantling Of Reconstruction Sent Us In A Tailspin. Then We Had The Civil Rights Movement. Now We Have Our First Non-white President. We Have A Pattern Of Moving Apart And Then Coming Back Together Throughout The History Of This Country. Each Time, We Come Closer.

Even If Nobody's Singing, Just When You Talk, You're Singing. I'll Meet Somebody And Say, "oh, I'm Tone-deaf." I Say, "you're Not Tone-deaf, Because If You Were Tone-deaf You Would Speak Like That. But You're 'oh, I'm Tone-deaf.' You Already Sang A Song To Me."