The Name Of The Author Is The

I Started Moving Away From Poets Like Wallace Stevens And Hart Crane And Started Reading Poets Like, Again, Karl Shapiro, Howard Nemerov, Philip Larkin, And The British Poets Who Were Imported Through That Important Anthology Put Together By Alvarez - And Those Would Include Thom Gunn And Ted Hughes. And I Think These Poets Gave Me Assurance That There Were Other Ways To Write Besides The Rather Involuted Style Of High Modernism Whose High Priests Were Pound, Eliot And Stevens, And Crane Perhaps.

One Of These Days I'm-a Make Me A Book Out Of You.

There's This Pet Phrase About Writing That Is Bandied Around Particularly In Workshops About "finding Your Own Voice As A Poet", Which I Suppose Means That You Come Out From Under The Direct Influence Of Other Poets And Have Perhaps Found A Way To Combine Those Influences So That It Appears To Be Your Own Voice.

I'm Very Conscious Of The Fact That Every Line Should Have A Cadence To It. It Should Contribute To The Progress Of The Poem. And That The Ending Of The Line Is A Way Of Turning The Reader's Attention Back Into The Interior Of The Poem.

I Was An Only Child, A Very Late Child, Born To Parents Who Were Both 39 At The Time, Which Was Very Late Back Then. That Kind Of Confirmed My Sense Of Being The Center Of The Universe, Which I Guess Every Child Feels - Children And Poets Both Tend To Feel.