The Most Serious Film Can Be The

I Wanted To Be A Mechanic. When I Was 14 I Wanted To Quit School And Go Work On My Car. But My Dad Said Son, You Shouldn't Do That. You Should Stay In School Until Your Education Is Finished, And When You're Done, Don't Make Your Hobby Your Job.

When I Was A Kid, I Would Do Stupid Things On My Bike. I'd Jump Any Ramp, I'd Jump Over People, I'd Jump Over Things - Always Crashing, Never Hurting Myself Badly But Always Wanting To Take Physical Risks.

I Loved Working With Him [justin Chadwick]. He Was Very Smart In How He Assembled The People Around Him And Had A Crew That He Knew Very Well. He Was Very Comfortable On The Set And I Never Felt That I Was Working With A First-time Filmmaker.

Having Seen Justin's Work On Bleak House, I Knew That He'd Be Incredibly Well Prepared And Interesting Stylistically For This And That Was Definitely The Case. It's Very Liberating For Actors - And I Can Only Speak For Myself Here - But He Creates A Very Loose Environment And He's A Great Collaborator.

I Just Think That's The Job Of An Actor. I Guess That's The Variation That You're Talking About. It's Probably A Byproduct Of Just Constantly Looking For Something Different, Because That's What I Feel Like I'm Supposed To Do.