The Last Girl I Love Will Be

Coldplay Songs Deliver An Amorphous, Irrefutable Interpretation Of How Being In Love Is Supposed To Feel, And People Find Themselves Wanting That Feeling For Real. They Want Men To Adore Them Like Lloyd Dobler Would, And They Want Women To Think Like Aimee Mann, And They Expect All Their Arguments To Sound Like Sam Malone And Diane Chambers. They Think Everything Will Work Out Perfectly In The End (just Like It Did For Helen Fielding's Bridget Jones And Nick Hornby's Rob Fleming), And They Don't Stop Believing Because Journey's Steve Perry Insists We Should Never Do That.

If You Move Furniture All Day, If You're A Construction Worker, If You Have A Job That's Real Physical, This Idea That There Is A Sport That Involves The Kind Of Conventional, Traditional View Of Toughness, You See That Still As A Positive Thing.

When You're Writing For Newspapers You Have All These Parameters. You Can't Swear, You Have To Use Short Paragraphs, All That. If You Stay Within Those Parameters, You Have Lots Of Freedom Because You're Writing For The Next Day.

Every One Of Joel's Important Songs--including The Happy Ones--are Ultimately About Loneliness. And It's Not 'clever Lonely' (like Morrissey) Or 'interesting Lonely' (like Radiohead); It's 'lonely Lonely,' Like The Way It Feels When You're Being Hugged By Someone And It Somehow Makes You Sadder.

I'd Ask People To Keep In Mind The Idea That If You Really Understand Something, It's Even More Important For You To Consider The Possibility Of Your Wrongness. Even If It Takes Someone Dumber Than You To Point That Out.