The Job Of The Artist, Is To

In Playwriting, You've Got To Be Able To Write Dialogue. And If You Write Enough Of It And Let It Flow Enough, You'll Probably Come Across Something That Will Give You A Key As To Structure. I Think The Process Of Writing A Play Is Working Back And Forth Between The Moment And The Whole. The Moment And The Whole, The Fluidity Of The Dialogue And The Necessity Of A Strict Construction. Letting One Predominate For A While And Coming Back And Fixing It So That Eventually What You Do, Like A Pastry Chef, Is Frost Your Mistakes, If You Can.

In Practice We, In The World, Must Do Business With Each Other.

The First Amendment Ensures Not That Speech Will Be Fair, But That It Will Be Free. It Cannot Be Both.

Consider: For All The Gobbledegook [film Studio] Executives Spout About Backstory, All That We, The Audience, Want To Know Is What Happens Next. That's The Only Thing That's Going On. . . . Character Is Nothing Other Than Action, And Character-driven Means The Plot Stinks, And You'd Better Hope The Star Is Popular Enough To Open The Movie In Spite Of It.

I'm Afraid Of Only Two Things: Being Lazy And Being Cowardly.