The Images Which The [press] Photographer Has Filtered From Reality, Whether Particular Events Or The Anguish Of Human Reactions To Them, Already Bear A Stamp Of Authenticity Which The Photographer Is Powerless To Alter By One Jot Or Tittle; The Meaning Of The Objects, By A Process Of Purification, Itself Becomes The Theme Of The Work.
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The Images Which The [press] Photographer Has
Yukio Mishima
The Images Which The [press] Photographer Has Filtered From Reality, Whether Particular Events Or The Anguish Of Human Reactions To Them, Already Bear A Stamp Of Authenticity Which The Photographer Is Powerless To Alter By One Jot Or Tittle; The Meaning Of The Objects, By A Process Of Purification, Itself Becomes The Theme Of The Work.
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