The 10,000hr Rule Is A Definite Key

My Point Is That The Great Challenge Of An Artist Is To Balance Those Two Things: To Be Strong Enough To Have Your Own Personal Vision That You Will Put On The Page Or The Canvas Or The Screen, No Matter What People Say, But It Requires A Radical Sensitivity. You Have To Be Completely Open To What The World Is Telling You, To What Your Audience Tells You. And Balancing Those Two Things Is Nearly Impossible.

A Study At The University Of Utah Found That If You Ask Someone Why He Is Friendly With Someone Else, He’ll Say It Is Because He And His Friend Share Similar Attitudes. But If You Actually Quiz The Two Of Them On Their Attitudes, You’ll Find Out That What They Actually Share Is Similar Activities. We’re Friends With The People We Do Things With, As Much As We Are With The People We Resemble. We Don’t Seek Out Friends, In Other Words. We Associate With The People Who Occupy The Same Small, Physical Spaces That We Do.

There Is A Simple Way To Package Information That, Under The Right Circumstances, Can Make It Irresistible. All You Have To Do Is Find It.

Our First Impressions Are Generated By Our Experiences And Our Environment, Which Means That We Can Change Our First Impressions... By Changing The Experiences That Comprise Those Impressions.

The Tipping Point Is The Biography Of An Idea, And The Idea Is Very Simple. It Is That The Best Way To Understand The Emergence Of Fashion Trends, The Ebb And Flow Of Crime Waves, Or, For That Matter, The Transformation Of Unknown Books Into Bestsellers, Or The Rise Of Teenage Smoking, Or The Phenomena Of Word Of Mouth, Or Any Number Of The Other Mysterious Changes That Mark Everyday Life Is To Think Of Them As Epidemics. Ideas And Products And Messages And Behaviors Spread Just Like Viruses Do.