The First Animation Thing I Did Was

I Remember Emilio [estevez] And I Were At John's House During The Rehearsal Process. And John [huges] Had Mentioned He Wrote The First Draft Of Breakfast Club In A Weekend. And We Both At The Same Time Went, "first Draft? How Many Do You Have?" And John Said He's Got Four Other Drafts. And We Go, "can We Read Them?" And For The Next Three Hours, Emilio And I Read Those Other Four Drafts.

[john] Hughes Is A Great Loss, I Think. He Was The First Filmmaker That Could Look At Someone Who Was Young Without Seeing Them As Being Less.

[john] Hughes Was Well Aware That To Ignore The Seriousness Of Young People Is To Encourage Things Like Columbine, So You Might Want To Listen. And We Were All Pretty Serious, A Little Bit, In High School. Some A Little More Than Others.

Voice-over Stuff Is So Much Fun Because You Don't Have Hair And Makeup And Wardrobe. You Get To Show Up. And There Were Some Talented People, And We Don't Even Know Them. And They're So Gifted. They Can Do All These Accents And Voices. It's Really Fun To Do That Stuff. It's Really Like Actor Camp.

I Got To Play Santa, Too. It's Really Important To Play Santa, You Know.