. . . The Fellow's Got A

The Doctrine Of Hell Is Not "mediaeval Priestcraft" For Frightening People Into Giving Money To The Church: It Is Christ's Deliberate Judgment On Sin.... We Cannot Repudiate Hell Without Altogether Repudiating Christ.

[o]ne Can Scarcely Be Frightened Off Writing What One Wants To Write For Fear An Obscure Reviewer Should Patronise One On That Account.

The Rule Seemed To Be That A Great Woman Must Either Die Unwed ... Or Find A Still Greater Man To Marry Her. ... The Great Man, On The Other Hand, Could Marry Where He Liked, Not Being Restricted To Great Women; Indeed, It Was Often Found Sweet And Commendable In Him To Choose A Woman Of No Sort Of Greatness At All.

Fantasy Works Inwards Upon Its Author, Blurring The Boundary Between The Visioned And The Actual, And Associating Itself Ever Moreclosely With The Ego, So That The Child Who Has Fantasied Himself A Murderer Ends By Becoming A Loeb Or A Leopold. The Creative Imagination Works Outwards, Steadily Increasing The Gap Between The Visioned And The Actual, Till This Becomes The Great Gulf Fixed Between Art And Nature. Few Writers Of Crime-stories Become Murderers--if Any Do, It Is Not The Result Of Identifying Themselves With Their Murderous Heroes.

She Couldn't Have Found Anything Nastier To Say If She Had Thought It Out With Both Hands For A Fortnight.