The Director Is The Only Person Who

If The Theme Is Simple, You Can Include A Hundred Details That Create The Illusion Of Actuality Better.

My Cameraman And I Devised A Method, Which We Started Using From My Second Film, Which Applies Mainly To Day Scenes Shot In The Studio, Where We Used Bounced Light Instead Of Direct Light. We Agreed With This Thing Of Four Or Five Shadows Following The Actors Is Dreadful.

When I'm Shooting On Location, You Get Ideas On The Spot - New Angles. You Make Not Major Changes But Important Modifications, That You Can't Do On A Set. I Do That Because You Have To Be Economical.

I Mix Indian Instruments With Western Instruments All The Time.

Most Of The Top Actors And Actresses May Be Working In Ten Or Twelve Films At The Same Time, So They Will Give One Director Two Hours And Maybe Shoot In Bombay In The Morning And Madras In The Evening. It Happens.