The Day We Run Out Of Petrol

I Do Believe That A Film Like Ten Could Never Have Been Made With A 35mm Camera. The First Part Of The Film Lasts 17 Minutes, And By The End Of That Part, The Kid Has Totally Forgotten The Camera.

I Don't Ask My Students To Have Studied Film Or Any Education In General. What I Ask Them Is To Come And Sit And Tell Me A Story, And The Way They Choose It And Tell It, For Me, The Best Criteria For Whether They Are Right For Making Films. There's Nothing More Important Than Being Able To Tell Your Story Orally.

I Don't Like Reverse-angle Shots - I Find Them Very Fake And Very Untruthful To The Viewer.

When The Film [certified Copy] Was In The Cannes Festival, I Realized That The Fact Of Having It Shot In A Different Culture, In A Different Language, In A Different Setting, That Wasn't Mine And That I Didn't Belong To, Gave Me A Totally Different Relationship To The Film. When I Was Sitting In The Audience During The Official Screening In Cannes, I Didn't Feel That It Was My Film.

There Were Years When Hitchcock Was Like A Master To Me, But Now I Think He's So Artificial. I Can Watch Films And Say How Technically Beautiful They Are, But I'm Not Impressed By Any Technicality.