The Capabilities (intellectual And Material) Of Contemporary

Art Breaks Open A Dimension Inaccessible To Other Experience, A Dimension In Which Human Beings, Nature, And Things No Longer Stand Under The Law Of The Established Reality Principle...the Encounter With The Truth Of Art Happens In The Estranging Language And Images Which Make Perceptible, Visible, And Audible That Which Is No Longer, Or Not Yet, Perceived, Said, And Heard In Everyday Life.

The Closed Language Does Not Demonstrate And Explain It Communicates Decision, Dictum, Command. Where It Defines, The Definition Becomes "separation Of Good From Evil;" It Establishes Unquestionable

Art Cannot Change The World, But It Can Contribute To Changing The Consciousness And Drives Of The Men And Women Who Could Change The World.

Free Election Of Masters Does Not Abolish The Masters Or The Slaves.

Where These Reduced (operational - E.w.) Concepts Govern The Analysis Of The Human Reality, Individual Or Social, Mental Or Material, They Arrive At A False Concreteness - A Concreteness Isolated From The Conditions Which Constitute Its Reality. In This Context, The Operational Treatment Of The Concept Assumes A Political Function. The Individual And His Behavior Are Analyzed In A Therapeutic Sense - Adjustment To His Society. Thought And Expression, Theory And Practice Are To Be Brought In Line With The Facts Of His Existence Without Leaving Room For The Conceptual Critique Of These Facts.