The Camera Introduces Us To Unconscious Optics

Man Is The Namer; By This We Recognize That Through Him Pure Language Speaks. All Nature, Insofar As It Communicates Itself, Communicates Itself In Language, And So Finally In Man. Hence, He Is The Lord Of Nature And Can Give Names To Things. Only Through The Linguistic Being Of Things Can He Get Beyond Himself And Attain Knowledge Of Them-in The Name. God's Creation Is Completed When Things Receive Their Names From Man, From Whom In Name Language Alone Speaks.

Uncleanness Is So Much The Attribute Of Officials That One Could Almost Regard Them As Enormous Parasites...in The Same Way The Fathers In Kafka's Strange Families Batten On Their Sons, Lying On Top Of Them Like Giant Parasites. They Not Only Prey Upon Their Strength, But Gnaw Away At The Sons' Right To Exist. The Fathers Punish, But They Are At The Same Time The Accusers. The Sin Of Which They Accuse Their Sons Seems To Be A Kind Of Original Sin.

By Close-ups Of The Things Around Us, By Focusing On Hidden Details Of Familiar Objects, By Exploring Commonplace Milieus Under The Ingenious Guidance Of The Camera, The Film, On The One Hand, Extends Our Comprehension Of The Necessities Which Rule Our Lives; On The Other Hand, It Manages To Assure Us Of An Immense And Unexpected Field Of Action.

No Poem Is Intended For The Reader, No Picture For The Beholder, No Symphony For The Listener.

Even The Most Perfect Reproduction Of A Work Of Art Is Lacking In One Element: Its Presence In Time And Space, Its Unique Existence At The Place Where It Happens To Be.