The Best Introduction To The Psychological World

I Will Start Out This Evening With An Assertion: Fantasy Is A Place Where It Rains.

The Line Between The Reality That Is Photographed Because It Seems Beautiful To Us And The Reality That Seems Beautiful Because It Has Been Photographed Is Very Narrow.

The City, However, Does Not Tell Its Past, But Contains It Like The Lines Of A Hand, Written In The Corners Of The Streets, The Gratings Of The Windows, The Banisters Of The Steps, The Antennae Of The Lightning Rods, The Poles Of The Flags, Every Segment Marked In Turn With Scratches, Indentations, Scrolls.

Who Are We, Who Is Each One Of Us, If Not A Combination Of Experiences, Information, Books We Have Read, Things Imagined? Each Life Is An Encyclopedia, A Library, An Inventory Of Objects, A Series Of Styles, And Everything Can Be Constantly Shuffled And Reordered In Every Way Conceivable.

My Working Method Has More Often Than Not Involved The Subtraction Of Weight. I Have Tried To Remove Weight, Sometimes From People, Sometimes From Heavenly Bodies, Sometimes From Cities; Above All I Have Tried To Remove Weight From The Structure Of Stories And From Language. . . . Maybe I Was Only Then Becoming Aware Of The Weight, The Inertia, The Opacity Of The World--qualities That Stick To The Writing From The Start, Unless One Finds Some Way Of Evading Them.