That's Been My Main Interest For The

I've Had A Real Lucky Time Working In Hollywood. I've Talked To Other Screenwriters, And They're All Kind Of Beaten Down And Their Spirits Are Crushed, Because They Work On These Screenplays And These Projects, And Then Directors Either Take Them And Change Everything, Rewrite Them And Make Them Worse, Or They Film Them And They're Nothing Like How They Imagined It To Be.

I Think That's What We're All Most Terrified About: That We'll Just Die And Disappear And We'll Leave No Trace.

Usually When I Put Together A Book Like This Death-ray Hardcover Or That Ghost World Special Edition, Then I Have To Reread It And See If There Is Anything I Want To Change Or Any Re-coloring I Want To Do. That's When I'm Faced With The Actual Work. When I'm Working, I'm Too Close To It. I'm Sort Of Inside, And I Can't See It At All. So When I Have That Experience Of Rereading It Years Later, It's Jarring.

If I Could Have Somehow Been The Kind Of Artist Who Could Crank Out Two Or Three Issues A Year, That's Different. That's Sort Of What It's All About, To Get This Thing Out So That There's Some Kind Of Continuity. But To Do A Comic Book Every Year Or Two Was Just So Anti-climactic.

Though To The Average Person That You'll Meet On An Airplane, If You Tell Them You Draw Comics, They'll Still Have Sort Of The Same Response - Not Like That's Seeped Into The Culture At Large, That Comics Are Not Just For Kids.