That Love Which Does Not Build A

It Is Photography Itself That Creates The Illusion Of Innocence. Its Ironies Of Frozen Narrative Lend To Its Subjects An Apparent Unawareness That They Will Change Or Die. It Is The Future They Are Innocent Of. Fifty Years On We Look At Them With The Godly Knowledge Of How They Turne Dout After All - Who They Married, The Date Of Their Death - With No Thought For Who Will One Day Be Holding Photographs Of Us.

Above All, She Wanted To Look As Though She Had Not Given The Matter A Moment's Thought, And That Would Take Time.

The Primitive Thinking Of The Supernaturally Inclined Amounts To What His Psychiatric Colleagues Call A Problem, Or An Idea, Of Reference. An Excess Of The Subjective, The Ordering Of The World In Line With Your Needs, An Inability To Contemplate Your Own Unimportance. In Henry's View Such Reasoning Belongs On A Spectrum At Whose Far End, Rearing Like An Abandoned Temple, Lies Psychosis.

Find You, Love You, Marry You, And Live Without Shame.

London In The '70s Was A Pretty Catastrophic Dump, I Can Tell You. We Had Every Kind Of Industrial Trouble; We Had Severe Energy Problems; We Were Under Constant Terrorist Attack From Irish Terrorist Groups Who Had Started A Bombing Campaign In English Cities; Politics Were Fantastically Polarized Between Left And Right.