Suri Is My Daughter, She's Very, Very

I Used To Get So Worried That If A Scene Didn't Go A Certain Way, Then It Was Horrible. But Then I Realized That It Was Better To Give The Director Options In The Editing Room Than Just Being Locked Into How It's Supposed To Be.

I Think That I'm Always Open To Any Kind Of Project.

It's Actually Great To Shoot Far Away From Hollywood Because We Don't Have The Distractions Of The Parties And Premieres And All That. And, Of Course, You Can Save Money - There Are No Good Shoe Stores.

I Think It Was Around The Time Of Doing Those Shorts. [producer] Christine Vachon, I Had A Meeting With Her, And She Mentioned The Short, This Aol Short, And Asked If I Wanted To Do One. And Then The Next Step Was The "30 For 30," And Again That Boosted My Confidence Enough To Decide I'm Going To Do A Feature Narrative. And I Was Supported By My Agency, And [producer] Jane Rosenthal Has Been An Exceptional Friend, And She Produced "all We Had," She Encouraged Me To Do The "30 For 30."

Definitely Being A Mom Changes Your Perspective On Everything.