Starting In The Middle Of A Musical

Don't Ever Get So Big Or Important That You Can Not Hear And Listen To Every Other Person.

We Should Pray And Seek For Knowledge Which Would Enable Us To Portray And Project The Things We Love In Music, In A Way That Might Wholly Or In Some Part, Be Appreciated As Having Been Conceived And Composed Or Performed And Presented With Dedication And In Positive Taste

I've Always Felt That Even Though A Man Was Not A Christian, He Still Has To Know The Truth Some Way Or Another. Or If He Was A Christian, He Could Know The Truth. The Truth Itself Doesn't Have Any Name On It To Me. And Each Man Has To Find This For Himself, I Think.

Sometimes I Think I Was Making Music Through The Wrong End Of A Magnifying Glass.

Working With Monk Brought Me Close To A Musical Architect Of The Highest Order. I Felt I Learned From Him In Every Way--through The Senses, Theoretically, Technically. I Would Talk To Monk About Musical Problems, And He Would Sit At The Piano And Show Me The Answers Just By Playing Them. I Could Watch Him Play And Find Out The Things I Wanted To Know. Also, I Could See A Lot Of Things That I Didn't Know About At All.