Sometimes, Reissues Can Be Revelatory, Or Put

It's Hard To Make Music Knowing That It's Not Going To Be Received By The Listener In The Way That It Should Be.

There's A Perception That If An Artist Produces Another Artist, They're Going To Imprint On Them. But I'm The Opposite. I Want To Hear That Artist; I Don't Want To Hear Me - That's The Last Thing I Want To Hear. There Are A Lot Of Technical Studio Things I've Learned Or Figured Out, And I Feel Like I Could Use Those Things To Help Other People With What They're Doing.

I'm More Critical Of My Songwriting Than Anybody, But I've Worked Really Hard In The Last Five To 10 Years To Improve. I Didn't Take It All That Seriously When I Started. It Was A Little Bit Of A Stigma To Being A Songwriter Or A Folkie Back Then. I Did A Lot Of Send-ups Of Sensitive Singer-songwriter Stuff When I Was Starting Out, Which Limited My Development As A Songwriter In A Way. I Wasn't Really Fully Given License To Explore That Until The Mid-90s. I'm Still Working On It; I'm A Little Bit Of A Late Bloomer.

There Are People Who've Prepared Their Whole Lives For Real Heavy Success And Bask In It. They're So Good At It And They Obviously Love It. I'm Just Happy To Be Making A Record.

Anything Goes. You Always Find Interesting Things That Way.