So Sometimes If I'm Working With A

You Know, It's Weird. It's - It Hasn't Really Changed My Life In Any Kind Of Way That I Can Measure. I Mean, It's Obviously Such An Insanely Amazing Thing. You Know, None Of My Other Records I've Ever Had Before Even Broke Into The Top 100.

You Know, That Was The First Time [with Any Winehouse] That I Probably Ever Used A Baritone Sax. And It's Certainly The Texture That, You Know - It's All Over The Record 'cause It's A Nice Compliment To Her Tone.

I Used To Be A Serious Sneaker Addict, But I've Moved On A Little Bit From Those Days.

Then, You Know, The Other More-traditional Role Of The Producer In, Like, The Kind Of Quincy Jones Sense Is Kind Of Part Arranger. So You're Coming Up With, Like, These - You Hear These Songs That Are Quite Bare-bones, And You Dream Up What's The Band Doing? What's The Rhythm Section Doing? What's The Guitars, Strings, Pianos - That Sort Of Thing. It's Almost Like A Little Toolbox.

And Music Is Kind Of A - It's Like A Finicky Industry To Be In Of Course. Like, Tastes Change. You're Hot One Minute; You're Not - You Know, I've Been Through It Quite A Few Times, Like, On Both Sides Of It.