So I Left With Jean Claude And

I Get Out Of The Taxi And It's Probably The Only City Which In Reality Looks Better Than On The Postcards, New York.

You Know, 20 Years... The Films Of Television When It Started, The Literature, Radio In Communist Countries, They're Clean As A Whistle; There Was No Violence, No Sex, No Drugs, Nothing.

You Really See Life Around The Principals To Be As Important As The Main, Principal Actors. That's What Cinéma Vérité Taught Me - That It's Not A Question Of Having A Main Character, A Great Actor, And The Rest Is Unimportant. Every Detail, Every Face In The Crowd Is Important.

The Worst Evil Is - And That's The Product Of Censorship - Is The Self-censorship, Because That Twists Spines, That Destroys My Character Because I Have To Think Something Else And Say Something Else, I Have To Always Control Myself.

When You Finish A Film, Before The First Paying Audience Sees It, You Don't Have Any Idea. You Don't Know If You Made A Success Or A Flop, When It Comes To The Box Office.