Show Me Why Your Regulation Of Culture

But, Like All Metaphoric Wars, The Copyright Wars Are Not Actual Conflicts Of Survival. Or At Least, They Are Not Conflicts For Survival Of A People Or A Society, Even If They Are Wars Of Survival For Certain Businesses Or, More Accurately, Business Models. Thus We Must Keep I Mind The Other Values Or Objectives That Might Also Be Affected By This War. We Must Make Sure This War Doesn't Cost More Than It Is Worth. We Must Be Sure It Is Winnable, Or Winnable At A Price We're Willing To Pay.

One Theme Of What I've Been Writing Has Been To Get People To Understand That "apolitical" Means "you Lose." It Doesn't Mean You Live A Utopian Life Free Of Politicians' Influence. The Destruction Of The Public Domain Is The Clearest Example, But It Will Only Be The First.

I Think If The Copyright Regime Focuses On The People We Are Supposed To Be Helping, The Artists And Creators, And Builds A System That Gives Them The Freedom To Choose And To Protect And To Be Rewarded For Their Creativity, Then We Will Have The Right Focus.

Creation Always Involves Building Upon Something Else. There Is No Art That Doesn't Reuse. And There Will Be Less Art If Every Reuse Is Taxed By The Appropriator.

The Principle, That Should Be A Fundamental Principle In Our Democracy, The Principle Of "one Person, One Vote," Says That The Vote Of Every American Should Count Equally. And If It Does, Hillary Clinton Should Be The President Of The United States.