Show Me A Bad Script And I

Francis Ford Coppola Did This Early On. You Tape A Movie, Like A Radio Show, And You Have The Narrator Read All The Stage Directions. And Then You Go Back Like A Few Days Later And Then You Listen To The Movie. And It Sort Of Plays In Your Mind Like A Film, Like A First Rough Cut Of A Movie.

There Was Once A Great Actor Named George C. Scott. He Was On Stage In The Delacourt Theater In Central Park, Where They Do Shakespeare Every Summer, And He Was Playing Shylock In The Merchant Of Venice. At One Point He Took The Robes He Was Wearing And Just Started Flipping Them Up In The Air, Out Of Nowhere. And Later, An Actor Said To Him, "what Was That, George, What Were You Doing?" And He Said, "they Were Sleeping." You're Always Trying To Catch Them.

On Any Given Sunday You're Gonna Win Or You're Gonna Lose. The Point Is -- Can You Win Or Lose Like A Man?

Any Project That I Find Encouraging That Isn't Attached To A Studio, I Can Go To Them, Which I Definitely Would. You Have To Take An Interest In What You Do.

I Always Had This Thing, When I Was Younger Especially, I Didn't Want To Do Movies That Much. I Found They Took A Lot Out Of You And They Were Exhausting For Me In A Lot Of Ways.