Rushdie Is A Hostage.

Every Sentence Has A Truth Waiting At The End Of It And The Writer Learns How To Know It When He Finally Gets There. On One Level This Truth Is The Swing Of The Sentence, The Beat And Poise, But Down Deeper It's The Integrity Of The Writer As He Matches With The Language. I've Always Seen Myself In Sentences. I Begin To Recognize Myself, Word By Word, As I Work Through A Sentence. The Language Of My Books Has Shaped Me As A Man. There's A Moral Force In A Sentence When It Comes Out Right. It Speaks The Writer's Will To Live.

There Is A World Inside The World.

I Think There Is A Sense Of Last Things In My Work That Probably Comes From A Catholic Childhood.

I Felt Joyce Was An Influence On My Fiction, But In A Very General Way, As A Kind Of Inspiration And A Model For The Beauty Of Language.

The Figure Of The Gunman In The Window Was Inextricable From The Victim And His History. This Sustained Oswald In His Cell. It Gave Him What He Needed To Live. The More Time He Spent In A Cell, The Stronger He Would Get. Everybody Knew Who He Was Now.