Photography Is, First Of All, A Way

Photographs Alter And Enlarge Our Notions Of What Is Worth Looking At And What We Have A Right To Observe. They Are A Grammar And, Even More Importantly, An Ethics Of Seeing.

Photographs Shock Insofar As They Show Something Novel.

Existence Is No More Than The Precarious Attainment Of Relevance In An Intensely Mobile Flux Of Past, Present, And Future.

The Last Sentence Of A Book Is, Of Course, Where You Have To Stop.

Despite The Illusion Of Giving Understanding, What Seeing Through Photographs Really Invites Is An Acquisitive Relation To The World That Nourishes Aesthetic Awareness And Promotes Emotional Detachment.