Photographs Objectify: They Turn An Event Or

Desire Has No History.

In Contrast To The Asexual Chasteness Of Official Communist Art , Nazi Art Is Both Prurient And Idealizing. A Utopian Aesthetics (physical Perfection; Identity As A Biological Given) Implies An Ideal Eroticism: Sexuality Converted Into The Magnetism Of Leaders And The Joy Of Followers. The Fascist Ideal Is To Transform Sexual Energy Into A "spiritual" Force, For The Benefit Of The Community.

Thinking, Writing Are Ultimately Questions Of Stamina.

A Thing Is A Thing, Not What Is Said Of That Thing.

Like The Collector, The Photographer Is Animated By A Passion That, Even When It Appears To Be For The Present, Is Linked To A Sense Of The Past.