Photographers Are Always Imposing

The "happening" Operates By Creating An Asymmetrical Network Of Surprises, Without Climax Or Consummation, This Is The Alogism Of Dreams Rather Than The Logic Of Most Art.

The Question Of The Social Uses Of Photography Opens Out Into The Very Largest Issues Of The Self, Of The Relationship To Community, To Reality.

The Writer Is Either A Practicing Recluse Or A Delinquent, Guilt-ridden One--or Both. Usually Both.

Ambition, If It Feeds At All, Does So On The Ambition Of Others.

Ours Is A Culture Based On Excess, On Overproduction; The Result Is A Steady Loss Of Sharpness In Our Sensory Experience. All The Conditions Of Modern Life - Its Material Plenitude, Its Sheer Crowdedness - Conjoin To Dull Our Sensory Faculties