Personally, I Feel That In My Own

What Interests Me Is To Paint The Kind Of Antisensitivity That Impregnates Modern Civilization. I Think Art Since Cezanne Has Become Extremely Romantic And Unrealistic, Feeding On Art. It Is Utopian. It Has Less And Less To Do With The World. It Looks Inward - Neo-zen And All That. Pop Art Looks Out Into The World. It Doesn't Look Like A Painting Of Something, It Looks Like The Thing Itself.

The Big Tradition, I Think, Is Unity. And I Have That In Mind; And With That, You Know, You Could Break All The Traditions- All The Other So-called Rules, Because They Are Stylistic.. And Most Are Not True. As Long As The Marks Are Related To One Another, There Is Unity. Unity In The Work Itself Depends On Unity Of The Artist's Vision.

Painting Stems From A Sense Of Organisation, The Sensed Positions Of Contrasts. Not That It Is About This.

My Use Of Evenly Repeated Dots And Diagonal Lines And Uninflected Color Areas Suggest That My Work Is Right Where It Is, Right On The Canvas, Definitely Not A Window Into The World.

Im Not Really Sure What Social Message My Art Carries, If Any. And I Dont Really Want It To Carry One. Im Not Interested In The Subject Matter To Try To Teach Society Anything, Or To Try To Better Our World In Any Way.