People Often Call And Say: "can You

I'm Very Sorry For Your Loss. Your Mother Was A Terribly Attractive Woman.

I Don't Really Wanna Think About Themes. I Wanna Just Think About The Experience Of The Movie. I Feel Like, As Soon As I Reduce It To A Theme, Once I Write That Sentence, It Won't Be That Great. I Feel Like There's More Potential For It To Mean Something Interesting If I'm Not Forcing It To Mean Something I've Already Decided.

The Animators Bring Their Own Spontaneity To It As Well, Because When They Do A Take Of A Shot It Really Is Like Just One Continuous Activity For Them. They Launch Into It And Do It, And They're Not Even Quite Sure How It's Going To Turn Out When They're Doing It. They're Sort-of Sculpting Their Way Through A Scene And Trying To Make This Inanimate Object Alive.

The Thing With Animation Is That You Record The Actors Like A Radio Show And Then The Animators Become Actors In Their Own Way Because It's Their Job To Take This Puppets And Make Them Seem Alive. They Bring Their Own Personalities To The Way They Move These Puppets.

When You're Doing A Live-action Movie, You Have Your Day Set Up And You're Going To Do This Shot And This Shot, And Eventually The Sun Is Going To Go Down. It's A Sequential Race To Whatever Is Going To End The Day.