People Can Say What They Want, But

You Said I Could Call You When I Wanted But That You Wouldn’t Call Me. You Have To Decide Where And When, You Said. If You Leave It Up To Me I’ll Want To See You Every Day. At Least You Were Honest, Which Is More Than I Can Say For Me.

If You Want To Make A Human Being Into A Monster, Deny Them, At The Cultural Level Any Reflection Of Themselves

What Else She Doesn't Know: That The Man Next To Her Would End Up Being Her Husband And The Father Of Her Two Children, That After Two Years Together He Would Leave Her, Her Third And Final Heartbreak, And She Would Never Love Again.

I Think A Lot Of The Most Interesting Immigrant Writing Involves Stepping Outside Of That Old, Dreary Binary. Chang-rae Lee's Native Speaker Is A Great Example. Same Goes For Maxine Hong Kingston's The Woman Warrior.

I Think That Most Of Us Are Aware That As Writers We Are Seeking Absences, We're Seeking Silences, We're Seeking Spaces That People Haven't Entered. No Writer Is Saying, "hey, I Want To Go To This Very Well Trod Territory And Say Exactly What Someone Else Has Done." I Think The Nature Of A Writer, Because We Are Attempting To Bring To Light Areas That People Haven't Seen Before, Tends In Some Ways To Be Progressive, At Least In That Light.