[partly As A Consequence Of Male Authority]

Margaret Mead Was Both A Student Of Civilization And An Exemplar Of It. To A Public Of Millions, She Brought The Central Insight Of Cultural Anthropology: That Varying Cultural Patterns Express An Underlying Human Unity. She Mastered Her Discipline, But She Also Transcended It. Intrepid, Independent, Plain Spoken, Fearless, She Remains A Model For The Young And A Teacher From Whom All May Learn.

Coming To Terms With The Rhythms Of Women's Lives Means Coming To Terms With Life Itself, Accepting The Imperatives Of The Body Rather Than The Imperatives Of An Artificial, Man-made, Perhaps Transcendentally Beautiful Civilization. Emphasis On The Male Work-rhythm Is An Emphasis On Infinite Possibilities; Emphasis On The Female Rhythms Is An Emphasis On A Defined Pattern, On Limitation.

Life Is In One Of Its Smoother Phases ... I've No Responsibilities In The World Except Friends And Students And Cherishing The Life Of The World -- And The Belief That There Is Enough Love To Go Round.

The Negative Cautions Of Science Are Never Popular. If The Experimentalist Would Not Commit Himself, The Social Philosopher, The Preacher, And The Pedagogue Tried The Harder To Give A Short-cut Answer.

Photographs [are] Of Course Heavily Dependent Upon The Culture, The Disciplinary Point Of View And The Idiosyncratic Vision Of The Particular Photographer-analyst.