A Man In A Desert Can Hold

I've Always Loved History And History Is Collage, It Is A Juxtaposition Of The Good And The Bad And The Strange, And How You Place Those Sentences Together Changes The Whole Mood Of A History.

Between The Kitchen And The Destroyed Chapel A Door Led Into An Oval-shaped Library. The Space Inside Seemed Safe Except For A Large Hole At Portrait Level In The Far Wall, Caused By Mortar-shell Attack On The Villa Two Months Earlier. The Rest Of The Room Had Adapted Itself To This Wound, Accepting The Habits Of Weather, Evening Stars, The Sound Of Birds.

But We Were Interested In How Our Lives Could Mean Something To The Past. We Sailed Into The Past.

A Love Story Is Not About Those Who Lost Their Heart But About Those Who Find That Sullen Inhabitant Who, When It Is Stumbled Upon, Means The Body Can Fool No One, Can Fool Nothing—not The Wisdom Of Sleep Or The Habit Of Social Graces. It Is A Consuming Of Oneself And The Past.

I Tend Not To Know What The Plot Is Or The Story Is Or Even The Theme. Those Things Come Later, For Me.