Only Work Which Is The Product Of

A Modern Building Should Derive Its Architectural Significance Solely From The Vigour And Consequence Of Its Own Organic Proportions. It Must Be True To Itself, Logically Transparent, And Virginal Of Lies Or Trivialities.

Architects, Painters, And Sculptors Must Recognize Anew And Learn To Grasp The Composite Character Of A Building Both As An Entity And In Its Separate Parts. Only Then Will Their Work Be Imbued With The Architectonic Spirit . . .

Since Art Is Dead In The Actual Life Of Civilized Nations, It Has Been Relegated To These Grotesque Morgues, Museums.

How Can We Expect Our Students To Become Bold And Fearless In Thought And Action If We Encase Them In Sentimental Shrines Feigning A Culture Which Has Long Since Disappeared?

Art Itself Cannot Be Taught, But Craftsmanship Can. Architects, Painters, Sculptors Are All Craftsmen In The Original Sense Of The Word. Thus It Is A Fundamental Requirement Of All Artistic Creativity That Every Student Undergo A Thorough Training In The Workshops Of All Branches Of The Crafts.