Only The Opium Eater Truly Understands The

The Task Of An American Writer Is Not To Describe The Misgivings Of A Woman Taken In Adultery As She Looks Out Of A Window At The Rain But To Describe Four Hundred People Under The Lights Reaching For A Foul Ball. This Is Ceremony.

She Cried For Herself, She Cried Because She Was Afraid That She Herself Might Die In The Night, Because She Was Alone In The World, Because Her Desperate And Empty Life Was Not An Overture But An Ending, And Through It All She Could See Was The Rough, Brutal Shape Of A Coffin.

For Lovers, Touch Is Metamorphosis. All The Parts Of Their Bodies Seem To Change, And They Seem To Become Something Different And Better.

The Writer Cultivates, Extends, Raises And Inflates His Imagination, Sure That This Is His Destiny, His Usefulness, His Contribution To The Understanding Of Good And Evil. As He Inflates His Imagination He Inflates His Capacity For Evil.

My God, The Suburbs! They Encircled The City's Boundaries Like Enemy Territory And We Thought Of Them As A Loss Of Privacy, A Cesspool Of Conformity And A Life Of Indescribable Dreariness In Some Split-level Village Where The Place Name Appeared In The New York Times Only When Some Bored Housewife Blew Off Her Head With A Shotgun.