One Works Without Thinking How To Work.

My Work Is Largely Concerned With Relations Between Seeing And Knowing, Seeing And Saying, Seeing And Believing.

That’s What Painting Does; It Organizes Vision In A Certain Way Or Suggests That Certain Things Be Paid Attention To And Certain Other Things Not Be Paid Attention To. It Functions In That Way To A Certain Extent In Our Civilization.

Make Something, A Kind Of Object, Which As It Changes Or Falls Apart (dies As It Were) Or Increases In Its Parts (grows As It Were) Offers No Clue As To What Its State Or Form Or Nature Was At Any Previous Time. Physical And Metaphysical. Obstinacy. Could This Be A Useful Object?

A Picture Ought To Be Looked At The Same Way You Look At A Radiator.

There May Or May Not Be An Idea, And The Meaning May Just Be That The Painting Exists.