One Has To Guard Against A Formula

The Whole Renaissance Tradition Is Antipethic To Me. The Hard-and-fast Rules Of Perspective Which It Succeeded In Imposing On Art Were A Ghastly Mistake Which It Has Taken Four Centuries To Redress; Cezanne And After Him Picasso And Myself Can Take A Lot Of Credit For This. Scientific Perspective Forces The Objects In A Picture To Disappear Away From The Beholder Instead Of Bringing Them Within His Reach As Painting Should.

Art Is A Wound Turned Into Light.

Art Upsets, Science Reasures.

Poetry' Is What Distinguishes The Cubist Paintings Picasso And I Arrived At Intuitively From The Lifeless Sort Of Painting Those Who Followed Us Tried, With Such Unfortunate Results, To Arrive At Theoretically.

I Couldn't Portray A Women In All Her Natural Loveliness.. I Haven't The Skill. No One Has. I Must, Therefore, Create A New Sort Of Beauty, The Beauty That Appears To Me In Terms Of Volume Of Line, Of Mass, Of Weight, And Through That Beauty Interpret My Subjective Impression. Nature Is Mere A Pretext For Decorative Composition, Plus Sentiment. It Suggests Emotion, And I Translate That Emotion Into Art. I Want To Express The Absolute, Not Merely The Factitious Woman.