Once I Started On 'frances' I Discovered

Sometimes Parts Just Come Along When It's The Perfect Time For You To Do Them.

There's Something Magical Still About It When I Get In A Darkroom, And You've Shot A Roll Of Film And You Develop It And You Look At Your Negatives, And There's Like Imagery There. That Always Stuns Me.

When You Think About It There's Never Really Been A Realistic Exposition Of Hollywood, I Mean - From The Inside - Showing Hollywood What It Can Do, What It Has Done, To People.

The Worst Is When I Talk Myself Into Something. Sometimes You Take Things Because You Want To Work With A Certain Actor, Or You Want To Work With A Director, Even If The Script Or The Part's Not That Great.

I Never Shot On Sets, But If I Was Traveling Somewhere Or On Location, I Would Always Have My Camera, And I'd Always Be - It's That Kind Of Fly On The Wall Approach To Photography, Though. I Don't Engage The Subject. I Like To Sneak Around, Skulk About In The Dark.