Oh Let Us Not Be Condemned For

A Cabaret Song Has Got To Be Written - For The Middle Voice, Ideally - Because You've Got To Hear The Wit Of The Words. And A Cabaret Song Gives The Singer Room To Act, More Even Than An Opera Singer.

Windbags Can Be Right. Aphorists Can Be Wrong. It Is A Tough World.

A Glance At The History Of European Poetry Is Enough To Inform Us That Rhyme Itself Is Not Indispensable. Latin Poetry In The Classical Age Had No Use For It, And The Kind Of Latin Poetry That Does Rhyme - As For Instance The Medieval Carmina Burana - Tends To Be Somewhat Crude Stuff In Comparison With The Classical Verse That Doesn't.

There Is No Objection To The Proposal: In Order To Learn To Be A Poet, I Shall Try To Write A Sonnet. But The Thing You Must Try To Write, When You Do So, Is A Real Sonnet, And Not A Practice Sonnet.

The Voice Is Raised, And That Is Where Poetry Begins. And Even Today, In The Prolonged Aftermath Of Modernism, In Places Where "open Form" Or Free Verse Is The Orthodoxy, You Will Find A Memory Of That Raising Of The Voice In The Term "heightened Speech".