Often To Understand, We Have To Look

A Film That Can Be Described In Words Is Not Really A Film.

I Never Think In Terms Of Alienation; It's The Others Who Do. Alienation Means One Thing To Hegel, Another To Marx And Yet Another To Freud; So It Is Not Possible To Give A Single Definition, One That Will Exhaust The Subject. It Is A Question Bordering On Philosophy, And I'm Not A Philosopher Nor A Sociologist. My Business Is To Tell Stories, To Narrate With Images - Nothing Else. If I Do Make Films About Alienation - To Use That Word That Is So Ambiguous - They Are About Characters, Not About Me.

Sometimes Actors' Mistakes Give Me Ideas I Can Use, Because Mistakes Are Always Sincere, Absolutely Sincere.

There Can Be No Censorship Better Than One's Own Conscience.

Another Reason For Switching To Color Is World Television. In A Few Years, It Will All Be In Color, And You Can't Compete Against That With Black-and-white Films.