Often, The Stories Are Very Much Like

There Are Two Kinds Of People, Those Who Like To Sleep Next To The Wall, And Those Who Like To Sleep Next To The People Who Push Them Off The Bed.

I Think That, In Hebrew, It's Like The Language Creates A More Unique And Specific Universe Even Before The Story.

What Connects Me So Strongly To Israel Is The Fact That I'm Second Generation. My Parents Said, "we Have A Place Where We Can Just Be Ourselves And Nobody Says, 'don't Tell Me Your Opinion, You Damn Jew, Go Somewhere Else.'" Then You Go To This Country And Other Jews Tell You To Shut Up. It's Frustrating. I Think That We Have A Bad Government And That Some People Are Fearful. They're Going With The Class Bully. But I Really Truly Believe - You Read It In My Stories - That Deep Inside, People Have Goodness.

People In Israel Would Write In A High Register, They Wouldn't Write Colloquial Speech. I Do A Special Take On Colloquial Speech. When I Started Writing, I Thought [the Language] Was Telling The Story Of This Country: Old People In A Young Nation, Very Religious, Very Conservative, Very Tight-assed, But Also Very Anarchistic, Very Open-minded. It's All In The Language, And That's One Thing That Doesn't Translate.

Life Keeps Being A Beautiful And Frustrating Experience.