Nobody Wants To Watch Perfection.

I Find It Inspiring And I Always Think When I'm Working On Something New, Whether It's A New Kind Of Character Or A New Kind Of Story Or New Kind Of Camera, It Gets My Creative Wheels Spinning.

Children, To Me, Are Of The Utmost Importance. They're Really The Future, Aren't They?

I Never Studied Dance, But If You Look At 'wild At Heart,' My Mother Saw That Movie And Said, 'you Are A Dancer. Look At How You're Moving: All That Strange Energy Is Like Modern Dance.'

I'm Going To Steal The Declaration Of Independence.

I Didn't Play The Ghost Rider In The First Movie. That Was A Stuntman. In This Film, The Ghost Rider Feels Much More Alive Because I Did Put Some Thought Into How He Should Walk And Into How He Should Move. I Was So Into The Character, In Fact, That I Would Paint My Face With White And Black Makeup To Look Like A Skull. And I Put On Blacked-out Contact Lenses, So I Almost Looked Like An Afro-new Orleanian Voodoo Icon By The Name Of Baron Samedi. Oh Man, I Would Walk Around The Set Without Saying A Word To Anybody, And I Could See The Fear In My Co-stars' And Co-directors' Eyes.