No One Ever Thought Clint Eastwood Was

When I Started To Be Published I Thought About Margaret Bourke-white And The Whole Journalistic Approach To Things. I Believed I Was Supposed To Catch Life Going By Me - That I Wasn't To Alter It Or Tamper With It - That I Was Just To Watch What Was Going On And Report It As Best I Could. This Shoot With John Was Different. I Got Involved, And I Realized That You Can't Help But Be Touched By What Goes On In Front Of You. I No Longer Believe That There Is Such A Thing As Objectivity.

My Early Childhood Equipped Me Really Well For My Portrait Work: The Quick Encounter, Where You Are Not Going To Know The Subject For Very Long. These Days I Am Much More Comfortable With The Fifteen Minute Relationship, Than I Am With A Life Long Relationship.

The Pictures Of My Family Were Designed To Be On A Family Wall, They Were Supposed To Be Together. It Was Supposed To Copy My Mother's Wall In Her House.

If It Makes You Cry, It Goes In The Show.

I Am Impressed With What Happens When Someone Stays In The Same Place And You Took The Same Picture Over And Over And It Would Be Different, Every Single Frame.