No One Can Have An Idea Once

After I Had Been Studying With Him For Two Years, Schoenberg Said, ‘in Order To Write Music, You Must Have A Feeling For Harmony.’ I Explained To Him That I Had No Feeling For Harmony. He Then Said That I Would Always Encounter An Obstacle, That It Would Be As Though I Came To A Wall Through Which I Could Not Pass. I Said, ‘in That Case I Will Devote My Life To Beating My Head Against That Wall.’

A Sound Does Not View Itself As Thought, As Ought, As Needing Another Sound For Its Elucidation, As Etc.; It Has Not Time For Any Consideration--it Is Occupied With The Performance Of Its Characteristics: Before It Has Died Away It Must Have Made Perfectly Exact Its Frequency, Its Loudness, Its Length, Its Overtone Structure, The Precise Morphology Of These And Of Itself.

My Work Became An Exploration Of Non-intention.

My Favorite Piece [piece Of Music] Is The One We Hear All The Time If We Are Quiet.

I Have Nothing To Say, And I Am Saying It.