No, I'm Not A Very Methodologically Pure

When I'm Looking For Zen And I'm Not Saying This Facetiously At All - I Would Really Rather Surf, Scuba Dive, Or Fly My Plane. And, When I Feel Tension About The Grind Of Work, It's Not Getting The Money To Make Films Versus Making Films That Constitutes The Grind, It's All This Stuff.

All People Are Paradoxical. No One Is Easily Reducible, So I Like Characters Who Have Contradictory Impulses Or Shades Of Ambiguity. It's Fun, And It's Fun Because It's Hard.

I'm Fascinated By The Ways In Which People Express Themselves, Because Their Responses Are Often Counter To What They're Actually Feeling. Like When They're Frightened, They Tend To Freeze. When They're Angry, It Doesn't Always Come Out As Volume. There Are Wonderful Contradictions In The Way That People Express Their Emotions.

Most People Don't Relate To And Can't Generate Concern For Something They Don't Encounter Personally Or Feel Personally Affected By. People Have To Have The Palpable Negatives In Their Lives Dissected For Them In Ways That Let Them Understand The Root Causes Of Unhealthy, Unhappy Conditions In Their Lives And Then Be Allowed To Really See And Feel The Positive Alternatives.

If There's A Criteria That Really Gets Me Interested In A Work Besides Any Type Of Personal Interaction With The Theme, It's If I Feel Like This Is The Right Piece Of Work For That Director At That Moment In Their Career.