Never Again Work In The Same Conditions

I Don't Want The Director To Have To Make Any Decisions Except To Say "action" And "cut."

Once We Actually Have The Production Script After Many Rewrites, At That Point Is When I Start To Decide What The Look And Colors Will Be. I Work Like A Painter, Even Though I'm Working In Three Dimensions. I'm Working With Chairs. I'm Working With Walls. But Even Things Like The Floor Or The Walls That People Might Think Are Not Important, They Actually Do Influence The Visual Look Of The Film. These Are Also Things That I Have To Think About.

The Flower Of My Secret Is Definitely More Based In True Emotions. I Also Wanted To Make Something More Realistic, But Not Naturalistic Or Simple.

When I Was Very Young, I Was Already A Fabulador. I Loved To Give My Own Version Of Stories That Everybody Already Knew. When I Got Out Of A Movie With My Sisters, I Retold Them The Whole Story. In General They Liked My Version Better Than The One They Had Seen.

I'm Really A Nightmare For The Fashion Designer Because I Take Away All Of His Authority, And I Become The Authority, And I Turn Him Into My Assistant. You Could Say I Intervene, And I Intervene In A Very Determining Way In All The Aspects That Have To Do With The Visual Construction Of The Film.