Neither In Environment Nor In Heredity Can

My Private Tragedy, Which Cannot, And Indeed Should Not, Be Anybody's Concern, Is That I Had To Abandon My Natural Idiom, My Untrammeled, Rich, And Infinitely Docile Russian Tongue For A Second-rate Brand Of English, Devoid Of Any Of Those Apparatuses–the Baffling Mirror, The Black Velvet Backdrop, The Implied Associations And Traditions–which The Native Illusionist, Frac-tails Flying, Can Magically Use To Transcend The Heritage In His Own Way.

A Man Who Has Decided Upon Self-destruction Is Far Removed From Mundane Affairs, And To Sit Down And Write His Will Would Be, At That Moment, An Act Just As Absurd As Winding Up One’s Watch, Since Together With The Man, The Whole World Is Destroyed; The Last Letter Is Instantly Reduced To Dust And, With It, All The Postmen; And Like Smoke, Vanishes The Estate Bequeathed To A Nonexistent Progeny.

It Was An Interesting Thing To Do. Why Did I Write Any Of My Books, After All? For The Sake Of The Pleasure, For The Sake Of The Difficulty. I Have No Social Purpose, No Moral Message; I've No General Ideas To Exploit, I Just Like Composing Riddles With Elegant Solutions.

Although I Could Never Get Used To The Constant State Of Anxiety In Which The Guilty, The Great, And The Tenderhearted Live, I Felt I Was Doing My Best In The Way Of Mimicry.

To Play Safe, I Prefer To Accept Only One Type Of Power: The Power Of Art Over Trash, The Triumph Of Magic Over The Brute.