My Whole Life Has Conspired To Bring

When I'm Writing A New Play, There's A Period Where I Know I Shouldn't Be Out In Public Much. I Imagine Most People Who Create Go Through Something Like This. You Willfully Loosen Some Of The Inner Straps That Hold Your Core Together.

Broadway Remains The Closest Thing We Have To A National Theatre, The Place Where The Greatest Number Of People Can Potentially See New Work. For An American Playwright To Say It Doesn't Matter Is Simply To Capitulate To The Current Situation.

You Have To Have Hope. It's Irresponsible To Give False Hope, Which I Think A Lot Of Playwrights Are Guilty Of. But I Also Think It's Irresponsible To Simply Be A Nihilist, Which Quite A Lot Of Playwrights, Especially Playwrights Younger Than Me, Have Become Guilty Of.

Theatre For A New Audience Is One Of America's Most Admirable And Exciting Theatre Companites...some Of The Best Acted And Directed Work To Be Found On American Stages, Engaging With The Canon Of World Dramatic Literature In A Vigorous Way.

I'm Not A Poet. I Wish I Was A Poet But I'm Not. I'm A Playwright. And So I Have A Different Set Of Antecedents.