My Objective Is To Design A Space

We Borrow From Nature The Space Upon Which We Build.

You Cannot Simply Put Something New Into A Place. You Have To Absorb What You See Around You, What Exists On The Land, And Then Use That Knowledge Along With Contemporary Thinking To Interpret What You See.

When I Draw Something, The Brain And The Hands Work Together.

In Italy, There Are So Many Significant Architectural Structures In History Such As The Pantheon In Rome, Or The Duomo.

The Level Of Detail And Craft Is Something That's Inscribed Within The Original Design Concept. And So When I Begin To Draw, I Know What Kind Of Detailing I Want The Building To Have.