My Job Apart From Anything Else Is

Resolve Was Never Stronger Than In The Morning, After The Night, When It Was Never Weaker

I Try And Create For The Audience Something That Relates To Real-life Experience. When You're Meeting Somebody For The First Time, All You Have To Go On Are Your Preconceptions And Your Stereotypes And Whatever Else, But Gradually As You Get To Know Them, They Change. They Become More Three-dimensional, And You Start To See Them In Layers.

I Am Very Happy To Be Part Of European And World Cinema As A British Filmmaker.

Because Of The Way That I Work With The Actors And Because A Scene Is Not In This Rigid And Literal Interpretation Of Something Written, I Can Constantly Change Stuff, Which Means I Can Get A Scene Absolutely Perfect, And Then When We Go To Shoot It, The Requirements Of The Shot Mean It Would Be Useful To Extend The Dialogue Or Take A Line Out Or Swap Things Around. So The Camera Doesn't Serve The Action. The Action Serves The Camera. That's Important. So It Becomes More And More Organic And Integrated.

I Mean, Artistic Processes Are All About Making Choices All The Time, And The Very Act Of Making A Choice Is The Distilling Down And The Getting To The Core Of What It Is That You Care About And What You Want To Say, Really.